You're the Indian Now is the first episode of the third season of Yellowstone. It first aired on June 21, 2020.
Plot summary[]
In the wake of the Beck Brothers, John reshuffles the political decks; Beth finds a trespasser on the ranch and learns that he may have big ambitions for the surrounding land; John helps Tate deal with his nightmares. - Source: zap2it
Synopsis[]
John, Kayce, and Jamie separately preparing for the day ahead. Kayce checks in on Monica and Tate, both still sleeping soundly in bed. Kayce gently wakes Monica and delivers a kiss on her forehead before leaving.
Kayce joins Beth, John, and Jamie in the kitchen and receives instructions to check out the east pasture. Beth’s still showing bruising around her eyes from the beating she received at the hands of Beck’s men. John’s smartly dressed in a suit and assures Kayce he’ll be back soon. “It doesn’t take long to quit something, son,” he says as Beth sips her coffee.
John hands a suit to Jamie and tells him he can dress during the ride to town. Jamie still appears to be on the outs with his siblings.
Kayce and Beth are outside watching as John and Jamie drive away when they hear Tate scream. He’s had another nightmare caused by the traumatic experience of being kidnapped by white supremacists, and Monica does her best to comfort her son and assure him he’s safe.
John gives Jamie his final marching orders before they meet with Governor Perry. The meeting also includes a federal official and the attorney general, and Jamie explains his family had evidence the Becks poisoned cattle using their private aircraft. They served a warrant for that and in turn discovered evidence of a kidnapping. “Livestock agents are bound by law to intervene in any active crime,” says Jamie. He adds, “That duty supersedes jurisdictional boundaries.”
Although they agree John and his family’s actions weren’t technically wrong, the public still perceives there’s been wrongdoing. The deaths of six people will become major news and when it’s investigated, it will look like this whole debacle was a feud – not an unbiased crime investigation.
John believes the solution is for him to resign as livestock commissioner and accept all blame for what went down. In exchange, he’ll expect Governor Perry to stop her investigation. She should concentrate on the white supremacists/militia and human smuggling angle and leave the Duttons alone. After Perry, the attorney general, and the federal official discuss it, they agree to John’s terms. He’ll come up with who he’ll support as his replacement and provide her with the name soon.
Thomas Rainwater and his righthand man Mo watch the news and Thomas believes things will be okay for John – if he’s as smart as he thinks he is. Mo confesses he thinks John’s an honorable man and isn’t their enemy. Thomas wonders if Mo thinks he should share their plans with John, and Mo says that’s Thomas’ decision to make.
Back on the ranch, Rip and Kayce meet up in a field. Both report the pastures are in good shape. Still, Rip thinks they need to wait until July to let the cattle roam freely. Kayce’s worried about running out of hay, and Rip comes up with the idea to bring the cows into the field to eat under supervision. As they’re talking, they notice a bunch of men and women looking out over the fields. Rip and Kayce ride over to see what they want and it turns out they’re looking for the Paradise Valley Sporting Club property. Kayce, politely, says they’re on the wrong side of the fence.
Kayce asks if these strangers are staying at the resort and a man explains these people now own it. Collectively, they are the Providence Hospitality Management. The man introduces himself as Ellis Steele and Kayce has no idea what this man’s talking about when he offers that he works for Market Equities. Kayce doesn’t reveal his name and Ellis apologizes for these “city folk” walking through his field. He offers Kayce a free dinner at the resort for the intrusion. Kayce and Rip ride off without responding.
Beth’s back at work and busy explaining to Bob Schwartz how much property she’s purchased on his behalf. It amounts to a little more than 17,000 acres. Bob’s pleased to learn she’s been so successful. They discuss the status of the parcels and which are commercially zoned. He gives instructions on upcoming purchases based on the fact Market Equities purchased Dan Jenkins’ place following his death. Both Bob and Beth realize that since Providence Hospitality was brought in to run it, that means the Jenkins place is just the beginning. They’ll have much larger goals for the area. Bob gives Beth orders to buy “every f**king thing” she can.
Back at the ranch, the men are busy working on a new barn. The mood’s light as they work and crack jokes. Of course, they laugh more at Jimmy’s attempt at telling a joke than they do the joke itself. Rip and Kayce ride up, and Rip gives the men orders to work on other projects.
Beth’s driving back to the ranch when she spots a stranger who she immediately labels an a**hole. She pulls over to yell at the guy for trespassing by fishing in the river on the Dutton ranch. And that’s how we’re introduced to Roarke Carter. He claims he can’t get out of the river or he’d be trespassing and Beth, being Beth, begins to climb down from the overpass in a dress and heels to confront him from a closer range. She insults him and explains both sides of the river he’s standing in fishing are private property. Again, he claims that’s why he can’t leave. When she asks how he got in the river in the first place without trespassing, he explains his family owns a ranch upstream. Beth points out that place is five miles away and Roarke says he’s blessed with stamina. He asks her out, she says no. Before leaving she warns him to stay off their “f**king land.”
John returns home and tells Beth his resignation went down as he expected. He admits he never wanted to be livestock commissioner; he just wanted control. Kayce confirms the fields are clear of clover and informs his dad he came across a bunch of people from Providence Hospitality. Beth knows more about that, but before she can discuss it John reveals he’s thinking about naming Kayce as his replacement for commissioner. Kayce’s shocked and doesn’t want the position. He thinks Beth or Jamie would be better suited. He just wants to work the ranch, not be a politician.
After Kayce walks out of the meeting, Beth throws her support behind Jamie. John reminds her they can’t trust him, but Beth thinks he can be trusted to always do what’s best for himself. “He will use that office to become popular with his constituents. His constituents are ranchers. What’s good for their ranches is good for ours,” she says.
Later, the bunkhouse is rowdy with the ranch hands drinking and roping each other like steer. It’s some kind of weird game they’re playing and when they want Jamie to play, he tries to sit it out. They won’t let him and he finally agrees to drinking, spinning in a circle, and then trying to escape being roped. He admits he doesn’t understand the purpose of the game but gamely goes for it anyway. Jamie goes down hard but they applaud him when he’s able to stand up and laugh at himself for being caught. Rip barges in, pissed they’re all still awake. It’s 3:30am and they should be sound asleep. He checks on Jamie and then announces they’ll have to be up and in the barn by 4:30am.
Jamie struggles to get into his bunk and it’s obvious he’s in much more pain than he lets onto. He has trouble rolling over onto his side and grimaces.
John finds Monica up and asks about Tate. She explains Kayce’s with him, and the doctor provided them with sleeping pills to get him to relax. She admits she doesn’t trust pills. They joke about how she’s getting turned around and lost in the big house, but then the talk turns serious. John apologizes for sending Tate out to feed his horse at night which put him in a vulnerable position to be kidnapped. She assures him it’s not his fault and appreciates all he did to get Tate safely home. She equates the way the Indians were forced from this land to what’s happening to the Duttons.
Monica asks if it’s true the men are building a camp close to the cattle. John confirms they’re doing that to make sure men are near the cows so they won’t be messed with. She asks if he’ll take Tate with him to it, believing being out under the stars will be good medicine. John’s obviously touched by the request and responds, “Of course.”
The following morning the men saddle up and Jamie’s about to join them when John instructs him to take his horse back to the barn and move out of the bunkhouse. He wants Jamie to move back to the lodge, and Jamie is, understandably, confused. John shocks him by revealing he’s going to take his place as livestock commissioner. The appointment will be official tomorrow. John warns Jamie never to betray him again. Jamie gives him his word.
John orders Kayce and Rip to take the wranglers and move the herd. Tate is with the group and John assures Kayce he’ll keep a close eye on the boy. Kayce apologizes for not accepting the position because being a politician isn’t who he is. John replies, “You’re my son. I know exactly who you are and don’t you ever be sorry for it.”
A while later the men begin making camp. The cows chow down on grass nearby and Tate asks his grandpa if this is how they used to work cattle. John, who looks to be in his element, confirms it is. He sends Tate off to steal some of Lloyd’s kindling.
Thomas Rainwater shows up at a building site Market Equities’ Ellis Steele is overseeing. Ellis refuses to discuss the cease and desist order Rainwater’s received, insisting he needs to deal directly with Thomas’ legal counsel. Thomas stares at Ellis' retreating back, shooting daggers with his eyes.
Monica arrives at Montana State Teachers’ College to instruct a class in American History. She finds her students outside, absorbed in their phones. She really believed that by moving the class outdoors they’d put away their phones, but that plan didn’t work. She wonders if they understand the world they live in and how it has nothing to do with liking photos or staring at phones. “The world you live in is slowly shrinking,” says Monica. “There’s a tiny group of men who are buying it and stripping it naked and selling you what they extract. They’re raping your world and selling you what they take.” Her speech earns a smirk from one of the students while the rest are still holding their phones. She finally decides this is a waste of her time and walks off. None of the students react or follow her.
Late at night, Beth shows up at Rip’s door with a bottle. She wants to christen his new house and makes a toast. She accidentally on purpose spills a shot glass full of booze down the front of her dress and then offers to pour him another. He pulls her into his house and shuts the door.
It’s pitch dark as Kayce’s out in the field watching over the cows. They hear a wolf howl in the distance and Kayce tells the cattle not to worry, he’ll protect them.
Meanwhile, Tate and John sit by their campfire and relax. They also hear the wolf and everyone in camp – including the horses – react. Tate tries to get up but John explains the wolf is just calling out to his friends so they know his location. When Tate asks if the wolf is scared, John claims wolves don’t get frightened. “It’s not in their genes,” he says.
Tate admits he has nightmares and John asks if he wants to talk about them. Tate does and explains he’s in the room where his kidnappers kept him. The floor disappears and he keeps falling. He knows he’s trying to scream but no sound comes out and no one helps him. John says dreams are memories and his imagination mixed together. He assures his grandson he can change the ingredients in his dreams to whatever he wants. He suggests that when he closes his eyes later, Tate should decide what he wants to dream about and that will be what he dreams. John confesses his own nightmare involves pulling over to help some people but they don’t want his assistance. They want something else but he won’t say what. Tate suggests he should change his dream’s ingredients too.
John and Tate continue relaxing, with John’s arm around his grandson’s shoulders. They keep warm in front of the fire under the stars.
Trivia[]
- When it comes to the cast, this episode had te first change in opening credits since the second episode of the first season (after Dave Annable left the main cast). Whereas Danny Huston (Dan Jenkins) left the show, co-stars Forrie J. Smith (Lloyd) and Denim Richards (Colby) are now mentioned in the intro.
Quotes[]
-
Cast[]
Opening credits[]
Starring[]
- Kevin Costner (as John Dutton)
- Luke Grimes (as Kayce Dutton)
- Kelly Reilly (as Beth Dutton)
- Wes Bentley (as Jamie Dutton)
- Cole Hauser (as Rip Wheeler)
- Kelsey Asbille (as Monica Dutton)
- Brecken Merrill (as Tate Dutton)
- Jefferson White (as Jimmy Hurdstram)
- Forrie J. Smith (as Lloyd)
- Denim Richards (as Colby)
And[]
Closing credits[]
Guest Starring[]
- Atticus Todd as Ben Waters
- John Emmet Tracy as Ellis Steele
- Tom Jenkins as Senator Balen
- Timothy Carhart as A.G. Stewart
Co-Starring[]
- Ian Bohen as Ryan
- Jake Ream as Jake
- Mo Brings Plenty as Mo Brings Plenty
- Seanna Ladd as Cashier
- Erica Hansen as News Reporter
- Ethan Lee as Ethan
Uncredited[]
- Gretchen Mol as Evelyn Dutton - photo shown
Crew (and other credits)[]
Opening credits[]
- Casting by: John Papsidera, CSA
- Music by: Brian Tyler and Breton Vivian
- Edited by: Michael Knue, ACE
- Production Designer: Cary White
- Director of Photography: Jim Denault, ASC
- Created by: Taylor Sheridan & John Linson
- Written by: Taylor Sheridan
- Directed by: Stephen Kay
Closing credits[]
- Executive Producers: John Linson, Art Linson
- Executive Producer: Taylor Sheridan
- Executive Producer: Kevin Costner
- Executive Producers: David C. Glasser, Bob Yari
- Executive Producer: Stephen Kay
- Co-Executive Producer: Barry Berg
- Co-Executive Producer: Michael Friedman
- Co-Executive Producers: William Schmidt, Wendy Riss
- Co-Producer: Brian Sherwin
- Associate Producer: Rajeev Malhotra
- Unit Production Manager: Paul Moen
- First Assistant Director: Richard White
- Second Assistant Director: Matthew Janssen
- Music Supervisor: Andrea von Foerster
- Local Casting by: Jeff Johnson
- Costume Designer: Johnetta Boone
- Key Costumer: Yvonne Wilburn
- Costume Supervisor: Paul A. Simmons Jr.
- Supervising Art Director: Yvonne Boudreaux
- Assistant Art Director: Lisa Ward
- Set Decorator: Carla Curry
- Property Master: David Bauman
- Department Head Make-Up: Greg Moon
- Department Head Hair Stylist: Kathy Lynch
- Second Second Assistant Director: Alan Steinman
- Script Supervisor: Melanie Bradfield
- Sound Mixer: Tom Curley
- Boom Operator: Knox White
- Stunt Coordinator: Jason Rodriguez
- "A" Camera Operator: Scott Dropkin
- Supervising Location Manager: Charlie Skinner
- Location Manager UT: Dustin Daniels
- Location Manager MT: Mitchell Jarrett
- Key Assistant Location Manager: Mark Weatherford
- Production Supervisor: Michael Fischler
- Production Coordinator: Lisa Hackler
- Travel Coordinator: Roxann Langlois
- Production Controller: Dina Hernandez
- Executive Assistants to the Linsons: Brian Bennett
- Assistant to Mr. Costner: Glenn Kleczkowski
- Assistant to Mr. Kay: Al'ikens Plancher
- Associate Production Supervisor: Ayelet Bick
- Production Counsel: Sheppard, Mullin, Richter, Hampton LLP
- Gaffer: John Farr
- Key Grip: Craig Sullivan
- Best Boy Grip: Alex Stein
- Location Coordinator: Alexia C. Diaz
- Construction Coordinator: Sammy Hammett
- Transportation Coordinator: Britani Alexander
- Dailies by: Mobilabs
- Dailies Associate Producer: Matt Riera
- Dailies Colorist: George Carlston
- Post Production Coordinator: Dan Halprin
- Supervising Sound Editor: Jason King
- Re-Recording Mixers: Diego Gat, Sam Ejnes
- Music Editor: Kyle Clausen
- ADR Casting: Fabiana Arrastia
- Assistant Editor: Petra Demas
- Colorist: Bob Festa
- Online Editor: Jason Keehne
- Visual Effects: Legend 3D
- VFX Editor: Jeff Beattie
- Main Titles Design: Elastic
- Executives in Charge for Paramount Network: Keith Cox, Lauren Ruggiero
- Rights and Clearances by: Clear-Rights, Mandy Hackenberg and Nicole Stone
- Getty Images iStock by Getty Images Shutterstock
- Product Placement by: Stone Management, Inc.
- Product Placement Coordinators: Cat Stone and Adam Stone, Megan Soliah
- Production Financing Provided by: East West Bank
- Promotional Consideration Provided by: Ram Trucks, Miller Coors
- Courtesy of: Sony Music Entertainment
- Filmed/Taped in Utah Film Studios, Park City, Utah
Images[]
Videos[]
Episode guide[]
| Yellowstone - Season 3 episodes | |||||||||
|---|---|---|---|---|---|---|---|---|---|
| 01 - You're the Indian Now | 05 - Cowboys and Dreamers | 09 - Meaner Than Evil | |||||||
| 02 - Freight Trains and Monsters | 06 - All for Nothing | 10 - The World Is Purple | |||||||
| 03 - An Acceptable Surrender | 07 - The Beating | ||||||||
| 04 - Going Back to Cali | 08 - I Killed a Man Today | ||||||||
External links[]
- You're the Indian Now on IMDb
- You're the Indian Now on the Paramount Network website